MadisonsL-R: Mike Rothschild, Nick Kukowski, Cameron Cummings, Heidi Garcia, Thomas Damron, Oscar Gomez, Dominic Solis
MadisonsL-R: Oscar Gomez, Thomas Damron, Mike Rothschild, Cameron Cummings, Heidi Garcia, Nick Kukowski, Dominic Solis
See pictures from Kristin and Cody's photo booth here.
Pictured below are:
SXSW 2015 - Eliot GlazerAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Eliot GlazerAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Matt BesserAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - John EarlyAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Jay PharoahAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Vanessa BayerAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Lauren LapkusAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Lauren LapkusAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
Lauren LapkusAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Amy SchumerAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Amy SchumerAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Judd ApatowAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Judd ApatowAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Judd ApatowAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
SXSW 2015 - Judd ApatowAn Above Average Evening with the Upright Citizens Brigade Theatre at Esther's Follies
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SXSW 2015 - Matthew E. WhiteDomino Records Showcase at Mohawk
SXSW 2015 - Matthew E. WhiteDomino Records Showcase at Mohawk
SXSW 2015 - Matthew E. WhiteDomino Records Showcase at Mohawk
SXSW 2015 - Matthew E. WhiteDomino Records Showcase at Mohawk
SXSW 2015 - Laura MarlingDomino Records Showcase at Mohawk
SXSW 2015 - Laura MarlingDomino Records Showcase at Mohawk
SXSW 2015 - Laura MarlingDomino Records Showcase at Mohawk
Laura MarlingDomino Records Showcase at Mohawk
SXSW 2015 - Laura MarlingDomino Records Showcase at Mohawk
SXSW 2015 - Laura MarlingDomino Records Showcase at Mohawk
SXSW 2015 - Hamilton LeithauserDomino Records Showcase at Mohawk
SXSW 2015 - Hamilton LeithauserDomino Records Showcase at Mohawk
SXSW 2015 - Hamilton LeithauserDomino Records Showcase at Mohawk
SXSW 2015 - Hamilton LeithauserDomino Records Showcase at Mohawk
SXSW 2015 - Mark Duplass6 Years (Executive Director)
SXSW 2015 - Mark Duplass6 Years (Executive Director)
SXSW 2015 - Nick Koenig (aka Hot Sugar)Hot Sugar's Cold World
SXSW 2015 - Rainn WilsonBoy (Actor)
SXSW 2015 - Benjamin DickinsonCreative Control (Actor, Director)
SXSW 2015 - Alexia RasmussenCreative Control (Actor)
SXSW 2015 - Himanshu Suri aka HeemsCreative Control (Actor)
SXSW 2015 - Dan GillCreative Control (Actor)
SXSW 2015 - Reggie WattsCreative Control (Actor)
SXSW 2015 - Reggie WattsCreative Control (Actor)
SXSW 2015: (L-R) Reggie Watts, Alexia Rasmussen, Benjamin Dickinson, Himanshu Suri, Dan GillCast of Creative Control
SXSW 2015 - Q&A with cast and crew of Creative Control at the Alamo Ritz
SXSW 2015 - Reggie WattsCreative Control (Actor)
Also, while not technically from a panel, I've included some shots of comedian James Adomian, who presented this year's Interactive Awards. I'd seen him at last year's SXSW where he instantly became one of my favorite comedians. While I'm a wee bit disappointed I didn't get to see him perform a set this year, seeing him host the awards and then having the opportunity to photograph him afterwards was a great consolation.
SXSW 2015 - Jonah PerettiLessons From Buzzfeed
SXSW 2015 - Jonah Peretti Lessons From Buzzfeed
SXSW 2015 - Cameron and Tyler WinklevossBitcoin: What It Needs To Succeed
SXSW 2015 - Tyler WinklevossBitcoin: What It Needs To Succeed
SXSW 2015 - Cameron WinklevossBitcoin: What It Needs To Succeed
SXSW 2015 - Wiz KhalifaMusic In Sports
SXSW 2015 - Wiz KhalifaMusic In Sports
SXSW 2015 - Wiz KhalifaMusic In Sports
SXSW 2015 - Lauren GiraldoCultural Connections: TV, Digital and the New Mainstream
SXSW 2015 - Robert RodriguezCultural Connections: TV, Digital and the New Mainstream
SXSW 2015 - Dave StewartSweet Dreams: Where Creativity and Commerce Collide
SXSW 2015 - Frank Sinatra Jr.Sinatra: An American Icon
SXSW 2015 - Steve Van ZandtSinatra: An American Icon
SXSW 2015 - James AdomianInteractive Awards
SXSW 2015 - James AdomianInteractive Awards
I'd also like to give a little shout out to wedding coordinator Rachel Stepanov of The Fairytale Effect. Wedding coordinators have such an incredibly hard and stressful job to do, but Rachel handled this one with seemingly effortless grace and professionalism. My photography partner and I felt like we were well taken care of. Highly recommended!
Madisons CD Release Party at The Saxon Pub, Austin, TXDominic Solis
Madisons CD Release Party at The Saxon Pub, Austin, TXOscar Gomez
Madisons CD Release Party at The Saxon Pub, Austin, TXThomas Damron
Madisons CD Release Party at The Saxon Pub, Austin, TXNick Kukowski
Madisons CD Release Party at The Saxon Pub, Austin, TXJocelyn White
Madisons CD Release Party at The Saxon Pub, Austin, TXDominic Solis
MadisonsBack Row, L-R: Cameron Cummings, Thomas Damron, Mike Rothschild, Nick Kukowski.
Front Row L-R: Oscar Gomez, Jocelyn White, Dominic Solis
Micky and The MotorcarsL-R: Joe Fladger, Micky Braun, Bobby Paugh, Dustin Schaefer, Gary Braun
Luck was on our side, however. The downpour was over quickly and the sun was out again in no time at all. The grass remained a bit damp, but all we needed was a strategically placed tarp on the ground and we were good to go!
The showcase took place in St. David's Historic Sanctuary, which, much like the Central Presbyterian (another church that becomes a music venue during SXSW), has absolutely fantastic acoustics. All the acts were outstanding, but I particularly enjoyed Perfume Genius, who I didn't know much about going into this show, but I'd be willing to wager that the adjective "haunting" gets used a lot to describe his live show.
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesH. Hawkline
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesSea Lion
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesSea Lion
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesChristopher Owens
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesChristopher Owens
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesPerfume Genius
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesPerfume Genius
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesGruff Rhys
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesGruff Rhys
SXSW 2014 - Turnstile Music Presents... We Throw Parties, You Throw KnivesCate Le Bon
A garage-punk duo consisting of Isaac Holman (vocals, drums) and Laurie Vincent (guitar, vocals), Slaves were absolutely one of the most refreshing live acts I have ever seen at SXSW. Their music is fast, aggressive and noisy, but Holman and Vincent infuse it with a great sense of playfulness that makes them wildly entertaining to watch. I hope they come through Austin again soon.
SXSW 2014 - Slaves at Latitude 30Isaac Holman and Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Isaac Holman and Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman and Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Laurie Vincent
SXSW 2014 - Slaves at Latitude 30Isaac Holman
SXSW 2014 - Slaves at Latitude 30Laurie Vincent
SXSW 2014 - Slaves at Latitude 30
The full lineup:
SXSW 2014 - British Music Showcase at Latitude 30Sweet Baboo (Stephen Black)
SXSW 2014 - British Music Showcase at Latitude 30Ellie Rowsell of Wolf Alice
SXSW 2014 - British Music Showcase at Latitude 30Joff Oddie of Wolf Alice
SXSW 2014 - British Music Showcase at Latitude 30Bipolar Sunshine (Adio Marchant)
SXSW 2014 - British Music Showcase at Latitude 30Bipolar Sunshine (Adio Marchant)
SXSW 2014 - British Music Showcase at Latitude 30Callum Wiseman and Stewart Brock of Prides
SXSW 2014 - British Music Showcase at Latitude 30Callum Wiseman of Prides
SXSW 2014 - British Music Showcase at Latitude 30Prides
SXSW 2014 - British Music Showcase at Latitude 30Josh Lloyd-Watson of Jungle
I love, love, love going to comedy shows, especially at the more intimate venues like Esther's Follies. This was my first time shooting one, however. The challenges are pretty much the same as a lot of music photography (dim lighting, no flash allowed, microphones obscuring the performers' faces, etc.), but being able to walk around a venue where everyone remains seated made for a much more relaxing time. Esther's Follies is a particularly nice venue for photography because the room slopes downwards towards the stage. Standing at the back, you can get a pretty clear shot over everybody's heads.
I enjoyed the whole show immensely. Every act was outstanding, but the highlight of the night (and indeed the entire festival) for me, was BriTANick. BriTANick (rhymes with Titanic) are a duo comprised of Nick Kocher and Brian McElhaney, and they might just be my new favorite thing ever. There's no way I can even come close to conveying just how funny their act was with my horrible, useless words, but to summarize, Kocher and McElhaney play multiple roles in a skit set in an old-timey western saloon, frantically switching back and forth between characters. Things start out simply enough, but the skit gets continuously derailed as Kocher sabotages and manipulates proceedings in order to try and kiss McElhany. As I said, I can't do it justice, but what I found so impressive was just how tight their performances were. It was a complicated, fast-paced sketch, and they never once missed a beat. It was incredible to watch. I've looked everywhere online for a recording but to no avail. They do have a bunch of videos on YouTube, however, so I implore you to check them out. Here's one of my favorites (there is a bit of bad language, just in case you don't like that kind of thing)...
And here are some photos from the evening.
SXSW 2014: Up Next featuring Fred ArmisenSasheer Zamata
SXSW 2014: Up Next featuring Fred ArmisenTim Robinson
SXSW 2014: Up Next featuring Fred ArmisenSasheer Zamata
SXSW 2014: Up Next featuring Fred ArmisenTim Robinson
SXSW 2014: Up Next featuring Fred ArmisenJoe Wengert
SXSW 2014: Up Next featuring Fred ArmisenChris Gethard
SXSW 2014: Up Next featuring Fred ArmisenChris Gethard
SXSW 2014: Up Next featuring Fred ArmisenBriTANick (Brian McElhaney and Nick Kocher)
SXSW 2014: Up Next featuring Fred ArmisenBriTANick (Brian McElhaney and Nick Kocher)
SXSW 2014: Up Next featuring Fred ArmisenBriTANick (Brian McElhaney and Nick Kocher)
SXSW 2014: Up Next featuring Fred ArmisenNick Rutherford of Good Neighbor
SXSW 2014: Up Next featuring Fred ArmisenNick Rutherford and Beck Bennett of Good Neighbor
SXSW 2014: Up Next featuring Fred ArmisenKyle Mooney of Good Neighbor
SXSW 2014: Up Next featuring Fred ArmisenTim Meadows
SXSW 2014: Up Next featuring Fred ArmisenFred Armisen
SXSW 2014: Up Next featuring Fred ArmisenFred Armisen
SXSW 2014: Up Next featuring Fred ArmisenFred Armisen
SXSW 2014: Up Next featuring Fred ArmisenFred Armisen
SXSW 2014: Super Fandom in the Digital AgeL-R: Tyler Oakley, Ze Frank, Andy Cohen, Grace Helbig
SXSW 2014: Generation Mash-Up: Y Bother?Pete Cashmore
SXSW 2014: The NonconformistsSharon Needles
SXSW 2014: A Virtual Conversation with Edward SnowdenBen Wizner and Christopher Soghoian
SXSW 2014: Biz Stone in Conversation with Steven JohnsonBiz Stone
SXSW 2014: Biz Stone in Conversation with Steven JohnsonSteven Johnson
SXSW 2014: Generation Mash-Up: Y Bother?Oliver Fleurot
SXSW 2014: Copyright Termination Rules Have to ChangeGeorge Clinton
Box's Aaron Levie Talks w/FORTUNE's Jessi HempelAaron Levie
SXSW 2014: Biz Stone in Conversation with Steven JohnsonSteven Johnson and Biz Stone
SXSW 2014: The NonconformistsBig Freedia
SXSW 2014: Generation Mash-Up: Y Bother?L-R: Oliver Fleurot, Joanna Coles, Pete Cashmore
SXSW 2014: Biz Stone in Conversation with Steven Johnson
SXSW 2014: The NonconformistsLaura Jane Grace of Against Me!
SXSW 2014: One on One with Mark CubanMark Cuban
SXSW 2014: The NonconformistsL-R: Laura Jane Grace, Sharon Needles, Big Freedia, John Norris
One of my first tasks this year was to cover a panel discussing the lasting appeal of the 'Six Degrees of Kevin Bacon' game, featuring the man himself, with guest appearances from Felicia Day (Buffy The Vampire Slayer, The Guild) and Maisie Williams (Game Of Thrones), amongst others. If you don't know the premise of the Six Degrees game (where on earth have you been these past two decades?!), it basically revolves around the notion that Kevin Bacon, being the prolific actor that he is, can be linked to any other actor, living or dead, through their film or TV roles in six steps or less. In simpler times, before we depended on the internet for absolutely everything, this game was a great way for movie buffs to show off their encyclopedic film knowledge. Nowadays, of course, you can cheat - check out The Oracle of Bacon website and marvel at how surprisingly difficult it is to find someone that can't be connected to Kevin Bacon in just two steps or less.
Going into this panel, I was a little skeptical of how much mileage they could get from such a topic, but the whole event was surprisingly entertaining and informative. For instance, did you know that Bacon originally hated the game when he first heard about it because he thought it was making a mockery of him? Or that the game led to him starting his own charitable organization, SixDegrees.org? Apparently the website has already raised over five million dollars for various charities. Not too shabby, Kevin.
And then of course there was the wedding itself. Lauren and Tanner opted to eschew pretty much every normal wedding tradition in favor of a weekend long party. Everyone had such a great time. For me, even shooting the bride and groom was a different experience. Normally, I just have a small window of time to grab the formal shots right after the ceremony, but with Lauren and Tanner I was able to spend several hours with them before their ceremony, traveling around Alpine and the surrounding desert to get shots in all kinds of different locations - a baseball field, a train station, the middle of a deserted highway, even the tour bus of cult country music star Dale Watson (who not only performed at their reception, but officiated their actual wedding ceremony, too). I got so many great shots I couldn't possibly include them all here, but below are some of my favorites.
"Shut up about lighting, Richard," I hear you say. "Where can I find out more about this intriguing band?" Here, check out their website and their Facebook page.
I don't think anyone could deny that he went out on a high note. Joined on stage by collaborators past and present, Karl played to a packed house and was on top form throughout the night. In all my years of concert photography it also marked the first time I'd ever seen someone actually throw their underwear at the stage (their bra landing squarely on Karl's head, no less). I'd like to think Karl is pleased he got to experience something that people who aren't Tom Jones rarely get to experience.
I also don't think I could've asked for a nicer bride and groom than Chris and Kendra. Very few couples seem as comfortable in each other's company or are as relaxed in front of camera as they were. I got a lot of shots that I'm really proud of and because of them it all felt so effortless.
You can also check out some of the photo booth pictures from the wedding here.
We didn't have space for our usual set up, so we made do with a wooden fence just outside the dance hall. I've said it before, but I love how silly people immediately become when you stick them in front of a camera with a plastic hat and a fake mustache.
]]>This was my first time shooting at this venue, and what I immediately liked was the fact that the back of the stage is a window that opens out on to 6th Street. I really appreciated being able to shoot into the bar from the street, as it gave me a perspective I don't normally get when doing this kind of photography.
]]>If truth be told, though, seeing my friends and family was my main priority while back home. Photography kind of got put on the back burner most of the time. I ended up having to grab my shots whenever I could get them, regardless of time of day. To combat that washed-out look, I converted some of my daytime shots to high contrast black and white (see the color ones here). I liked the effect so much that I ended up converting a lot more of my pictures, even the sunset ones.
Scott Monument, Edinburgh
EdinburghShot from the stairwell of the Scott Monument.
EdinburghShot from the top of the Scott monument.
It's been nearly seven years since I lived in Scotland, but as time passes my appreciation for the country only increases. I love going back. I'm sometimes regretful that I didn't get serious about photography at an earlier age, as there are some stunning locations just mere minutes away from the house I grew up in.
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This event was a highlight of the festival for me in so many ways. For one, it was just such a unique place to shoot a concert in. Visually interesting, certainly, but what I found particularly unusual was the effect it had on the audience. They displayed a kind of hushed reverence throughout the night, even to the point where there was complete silence during the bands' sound checks. If you're not a concert-goer, that might not mean much to you, but you can take it from me it never happens. There's always at least a bit of audience chatter, so for there to be times when there was absolutely none was just a weird thing to witness.
Because this was a relatively low-key, subdued event, I also had the opportunity to talk to people a bit more than I usually do, too. It was great chatting with some of the punters, and the church staff and event staff could not have been nicer or more accommodating. It made a hell of a difference.
Topping it all off, though, were some stellar performances by some top-notch talent. Opening act Dustin Wong just might have been my musical highlight of the entire festival. Armed with an electric guitar and array of effects pedals, he stacks loops on top of loops to staggering effect. Later in the night, The Milk Carton Kids were also a pleasantly surprising discovery. Closing your eyes, you could almost believe you were listening to Simon and Garfunkel (although as a male acoustic folk duo with a knack for vocal harmonies, maybe that's a default comparison). Rounding off the evening were indie-folk heavyweights Devendra Banhart and Iron and Wine. I was stupidly excited to see these guys perform and they certainly didn't disappoint. Impeccable.
The full line-up was as follows: Nylo, Emilio Rojas, Alexander Spit, Rockie Fresh, Roc Marciano, A$AP FERG, Bun B, Pusha T and Kendrick Lamar.
But on to Diamond Rings, the stage name of Canadian musician John O'Regan. O'Regan has been steadily gaining popularity over the past few years, becoming well known for his flamboyant, theatrical stage persona. I found him to be an instantly likable performer, because it's clear he really enjoys what he's doing. For me, this is a crucial aspect of any concert, as a photographer but also as an audience member. We've all been to concerts where the band are obviously just going through the motions, and that can be pretty off-putting most of the time. Today, O'Regan was having fun on stage, and his enthusiasm definitely rubbed off on the audience.
So, I went to tonight's show looking forward to indulging in a little nostalgia, but came away pleasantly surprised at how formidable a live act they still are. Maintaining a frenetic pace throughout, they were highly enjoyable to watch. And, as creepy as it might sound, I could photograph bassist Mark Hamilton all day. He's a lofty chap, and when you combine this with his continual posturing and contorting it makes for some really cool pictures.
Thank you, sir. You made my post-processing time just a little less nightmarish.
Although it was a much shorter, condensed version of what a full Cirque Du Soliel performance would usually be, it was no less spectacular. Photographs really can't do justice to the jaw-dropping acrobatics on display, especially during the grand finale. I don't think I've ever seen or heard an audience erupt into applause so enthusiastically or joyously.
Texas bluegrass band The Austin Steamers got the proceedings started, after which we were introduced to our emcee for the evening, comedian Aisha Tyler. Tyler has had a long and varied TV and movie career, and although I've never seen it I understand she is most famous for her role in the show Ghost Whisperer. I, however, mainly know her as the voice of Agent Lana Kane in the animated show Archer, which I absolutely love (at the time of writing it's streaming on Netflix in the US - check it out now if you haven't already. Its hilarious!). The geeky part of me was quite excited to see her in person, and she certainly didn't disappoint. She was very funny. And also perhaps a bit drunk.
Another notable guest at the event was danah boyd (the lack of capital letters in her name is intentional), who was being inducted into the SXSW Interactive Hall of Fame. I will freely admit that I have very limited knowledge of the big names in the tech world, but boyd is apparently extremely influential. Her list of job titles alone is enough to impress - Senior Researcher at Microsoft Research, Research Assistant Professor in Media, Culture, and Communication at New York University, Visiting Researcher at Harvard Law School and Adjunct Associate Professor at the University of New South Wales. I was able to get a few good shots of her as she mingled with other guests. Luckily for me she was very easy to spot, wearing a newsprint coat and a giant furry hat.
October in Texas is a perfect time for a wedding, and Troy and Deena picked a gorgeous spot in the hill country to have their ceremony and reception. The bridal party was absolutely huuuuuuge, which made for quite a challenge when it came time for the formal shots. However, the couple themselves were so relaxed and laid-back and it made the whole day's shooting all the more pleasant and fun.
I've been a fan of Lekman since becoming hooked on his song Black Cab years and years and years ago (it's still featured in my regular playlists to this day, in fact). However, I'd never seen him perform before and I wasn't actually sure what to expect from his live show. I certainly was not disappointed. Choosing to play his most recent album in its entirety before dedicating the second half of his set to some classics from his back catalog, Lekman has an effortless, affable kind of charm that wins the audience over in no time at all. I can't imagine anyone left this show feeling anything other than all warm and fuzzy inside.
You can imagine my delight, then, when I got the call to shoot a Halloween-themed wedding reception for Erin and Alex. I had first met Erin when she was a bridesmaid at a wedding earlier this year, a wedding which was actually the subject of my very first blog post on this site. Anyway, she and Alex were married in the summer, and I'm not sure if it was their intention all along to have a Halloween wedding reception, or if it just transpired that way because of the date. Either way, I now kind of wish that all wedding receptions were Halloween-themed. It was fantastic.
I can't even begin to describe how amazing the place looked. Dry ice in the hot-tub, skeletons in the swimming pool, gravestones and cobwebs everywhere. The bar was even serving pumpkin-pie martinis. As a lover of all things Halloweeny, I couldn't have envisioned a better party.
I love manning the photo booth (and I'm playing a bit fast and loose with the term "photo booth" here. It's just me with a camera, a white backdrop and some lights). It doesn't matter if you're young or old, male or female, good or evil - once you don a red feather boa and a plastic viking hat, you lose all inhibitions in front of the camera. Watching gran and grandad pretend to threaten each other with plastic swords never fails to amuse me.
Jonnie and Brookie are sisters from Arizona who have been performing since they were little kids. Like many teen girl acts, they perform songs about boys, how they don't need the aforementioned boys, or occasionally that they do in fact miss the boys and want them back. Unlike a lot of teen acts, however, Jonnie and Brookie write their own songs and play their own instruments. Kudos. They won Radio Disney's Next Big Thing competition in 2009, and it looks like they've been garnering a pretty sizable fan base ever since. Both Jonnie and Brookie along with their backing band were great fun to shoot, and clearly the hundreds and hundreds of Girl Scouts going absolutely bonkers had a good time too.
What you're looking at here is the cover for Desgraciados, the debut album by Madisons (artwork by Sergio A. Soto). If you've had a gander at this blog before, you may already be aware that I love Madisons with an almost embarrassing intensity. Like those women in their forties who still obsess over Twilight, you'd think there was something wrong with me.
I have had the pleasure of shooting Madisons time and time again. For those who don't know, they are an Austin band in the indie-folk / folk-rock genre. The members of their seemingly ever-expanding lineup play a multitude of instruments, including acoustic guitar, electric guitar, upright bass, violin, banjo, pedal steel, trumpet, harmonica and all kinds of percussion (including a washboard and a home-made stomp-box). And I've said it before and I'll say it again, frontman Dominic Solis has one sexy, sexy voice.
"How can I get my hands on this wonderful new album?" you ask? Well, as it turns out, very easily. If you go here, you can stream and/or download the whole thing for free. For free! To new or casual listeners, I would recommend checking out opening track "Sweetwater," the crowd pleasing live favorite "Hold," or the closing track "Flying Car," which you can also listen to below. Featuring vocals over just an acoustic guitar and violin, it's certainly their most mellow song (it's never included in their raucous live shows), but it's pretty gorgeous and definitely worth a listen.
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As for Steve and the boys, although you guys only get to see the moody black and white shots, I can tell you that they are musicians that clearly enjoy what they do. It's always a pleasure for me to shoot performers that are having a good time on stage.
But on to some actual pictures. Being an elementary school teacher, my wife has summers off, and she'll sometime foster kittens for Austin Pets Alive! (a nonprofit organization dedicated to keeping Austin a "no-kill" city), giving them a home and keeping them fed until they are old enough to be adopted by new owners. These little guys were only eight weeks old, and stupidly cute. You can claim to be a dog person as much as you like, but it's impossible not to be smitten by a bunch of kittens. And if you're not, then what are you? Some kind of soulless empty husk of a human being? Get off my blog! Weirdo.
Below are a few shots from the trip. The scenery was spectacular almost everywhere we went, but most of my favorite shots came from Moab in Utah. While I don't think I'll be posing a threat to the National Geographic photographers just yet, I'm pleased with the images I came away with. I would've loved to have spent more time there. And also Las Vegas, but that's more for my crippling poker addiction. I kid, I kid, although I did take part in my first ever live poker tournament while I was there. I made it to the final table and got third place. I didn't win that much (which didn't stop me feeling like James Bond, incidentally) but it did cover the cost of two Cirque Du Soleil tickets. We saw the original Mystère show, and I'll be honest, I wanted to hate it. I had always thought it would just be a bunch of pretentious dancing, but I absolutely loved it. Seriously, go see it. Turns out there's not much dancing at all. Instead, it's a bunch of very talented acrobats doing very dangerous things very high up. I think I actually gasped at one point. I never gasp.
This is the cover for the upcoming children's book Mama's Tomatoes by Mollie Deeb. I recently had the pleasure of shooting Mollie's head shot for the book, and what a great shoot it was. We got a whole bunch of good images, and I've put a couple of my favorites below. Mollie was able to show me a few of her illustrations for the book, and I have to say I'm a big fan of the art style. What I love about it is that it's very non-stereotypical for something aimed at kids. It really stands out. I think this is going to be a very cool little book.
As if being a talented writer and illustrator wasn't enough, Mollie also has an unbelievably cute family. After we had finished with the head shots, the rest of the Deeb clan joined in, and again we got some great shots out of it. I was particularly impressed with the kids, who were just so relaxed and comfortable throughout. Coupled with the aforementioned-cuteness, it made my job almost too easy.
What can I say about White Ghost Shivers? I've seen quite a few bands in my time. I've seen Daft Punk live in Tokyo. I've seen REM play at Stirling Castle in Scotland back when I was REM-obsessed like no other. I've had Wayne Coyne of the Flaming Lips zip past my head in a giant hamster ball. All of these have been amazing spectacles in their own right, but gosh darn it, compared to a White Ghost Shivers show I've just never had so much damn fun at a concert.
If I tell you that White Ghost Shivers lift their style from the jazz and swing music of the 1920s and 30s, you would be forgiven for picturing some kind of whimsical tribute act paying homage a simpler time. That couldn't be further from the truth. A White Ghost Shivers show is a raucously good time from start to finish. Armed with an arsenal of ridiculously catchy tunes, there's plenty of swearing, dancing, beat boxing (weirdly enough), and even thinly-veiled lyrics about genitalia. Whimsical it most certainly isn't. I can guarantee that this is the only place where you'll see a slide-whistle solo met with rapturous applause. I didn't realize a slide-whistle solo was even a thing.
If all this weren't enough, the level of talent of each and every band member is astounding. I myself am actually trying to learn piano at the moment, and watching the WGS pianist in action I can only assume that a pact was made with the devil at some point.
White Ghost Shivers have been around for a while now, and I admit I'm kind of late to the party. If you haven't had a chance to see them live yet I thoroughly recommend that you do. There's simply just no one else like them.
Anyway, I'm limiting myself to just one photo from their Viva Streets set, lest this become some kind of unofficial Madisons blog (they have their own, and it's arguably more well-written). This picture is of frontman, Dominic Solis.
And as an aside, while everyone was out "celebrating good health" at Viva Streets, I got sunburned. Thanks, Madisons.
The lineup:
As I've mentioned in previous posts, the life of a concert photographer is seldom a comfortable one. I have to say, though, this was quite a cushy gig. For starters, the chap at the front gate was kind enough to give me a wristband allowing me access to the lounge, so I was able to get food and drinks and somewhere to go to relax between performances. In addition, I had access to the photographers' pit for the first two songs of every act, so there was no need to jostle for a decent position.
The stage itself was built like a giant Doritos vending machine. If you were downtown during SXSW you probably found it towering over you at some point. This place had been completely packed the previous night because of a surprise appearance by Snoop Dogg. Tonight it was slightly less crowded, but still busy nonetheless.
First up, Turquoise Jeep. I'm not quite sure how to describe these guys. They're definitely a parody band, but they play it completely straight. They have all the choreographed dance moves you'd normally associate with a boyband (albeit with a lot more gyrating than usual), but their lyrics are definitely much more risqué. It's all very much tongue-in-cheek (sample lyric - "How you like your eggs? Fried or fertilized?").
After each band had finished their set, they were ushered to a little Maxim / Doritos booth in the lounge, where they were interviewed by a somewhat cartoonishly-proportioned young lady. This was all being filmed, so I assume it was maybe for the Maxim website.
Next up, Chappo.
Before a showcase, if I can, I like to do a bit of research on the bands I'm going to see. In this case, I had become addicted to the song "Come Home" by Chappo, and I was looking forward to seeing them.
I really like the photos I got from their set. Frontman Alex Chappo is another true showman.
When it came time for the Maxim interview, it dawned me that no one was looking at the interviewer directly. I can only assume they didn't want to be caught on film staring at her cleavage.
Just for the record, everyone she interviewed failed in the end, but Alex Chappo is the only one I caught on camera trying to catch a sneaky glance. This photograph below makes me laugh.
Third act of the night, Austin's very own Run DMT.
On camera, DJ sets can often look quite underwhelming, but I think the excellent lighting helped a lot here.
Every Maxim interview had a cringe-worthy moment where our busty interviewer friend would get the interviewees to give their opinions on a new Doritos flavor that they were trying to promote (Doritos were sponsoring the whole event, after all). Pretty much every musician looked suitably horrified when they they were asked to do this, but Run DMT took it in their stride like champs.
The penultimate act of the night were another Austin band, White Denim.
There's been a lot of hype surrounding these guys for a while now, and there was clearly a lot of people excited to see them.
And finally, !!!.
I'd actually seen !!! at a music festival in Japan about five years ago, but I was so far away from the stage I didn't really see what was going on. If I had, I would have realized that Nic Offer is the world's most insanely energetic frontman. The guy is just some kind of relentless dancing machine, whether he's gyrating away at the front of the stage or thrusting his way through the audience (which he did several times throughout the set). A genuine crowd-pleaser, and a great way to cap off the festival.
Until next year!
Before my last official assignment for SXSW kicked off, I went to see Madisons play at Betsy's Bar. I do think I need to remember that this is a photography blog, and not just some forum for me to waffle on about bands that I love. But I do love Madisons so very, very much, so to hell with photo-blog conventions.
Madisons are an excellent indie folk-rock band from right here in Austin. They are currently an eight-piece, although their lineup seems to be continually expanding. I'm half expecting them to be a seventeen-piece by the summer. I could go on and on about the incredibly skilled musicians in the band, the fantastic arrangements, or frontman Dominic Solis' sexy, sexy voice, but I suppose all you need to know is that Madisons write and perform some absolutely cracking tunes. Their Betsy's show was a blast, and the crowd loved them.
Judging from their live set, I don't think there's going to be a single dud track on their new album, which I'm reliably informed will be out within the next few months. Check 'em out!
The lineup:
Compared to previous nights this was a much more subdued affair, and I kind of loved that. I've always jokingly tried to perpetuate my image as a rock 'n' roll photographer (and was sadly talked out of making business cards describing myself as such), but by this stage in the festival I just hurt. All over. I could scarcely conceal my delight upon arriving at the 18th floor to find carpet, chairs, and air conditioning on full blast.
Of all the artists in the lineup the only one that I had previously been aware of was Chrysta Bell, and this was because of her involvement in the soundtrack for the David Lynch film Inland Empire. The song 'Polish Poem' is just absolutely lovely.
Anyway, her connection to David Lynch was partly the reason I was excited about her appearance. I was informed beforehand that Lynch might be at the show since he produced her most recent album, and if he was I should try to get a shot of him. Being somewhat of a David Lynch fan (I particularly love Twin Peaks and Mulholland Drive), I was anxious to see if he would turn up.
He didn't. And now all I have is an anti-climactic and quite frankly terrible story to tell about it.
But not to worry. Chrysta Bell put on a great performance, and I think she may be the sexiest musician I've ever shot. And this is coming from the person who got to shoot Bruce Springsteen mere days before - a man who is literally twice my age (but annoyingly still a million times more handsome).
I didn't have much time to recuperate from the NPR day party before it was time to head out to my official assignment for the evening - the Audible Treats hip-hop showcase at Kiss & Fly.
The (extensive) lineup:
Hip-hop shows, in my humble opinion, represent a special challenge for the concert photographer. For one thing, rappers almost constantly have their microphones right up at their faces. I also see a lot of performers wearing baseball caps and sunglasses. Any one or combination of these things can make for a lot of face obscuration, and it's sometimes hard to get a compelling shot. There's not a lot I can do about hats and glasses, but if I can I like to get as far to the side of the stage as possible so I'm not shooting head-on.
Despite these difficulties, I really enjoyed the whole showcase. Standouts for me included A.Dd+ (rappers from Dallas, of all places) and L.E.P Bogus Boys, whose performances were infused with such an insane amount of passion and energy. They were all clearly having a ball on stage, and it didn't take long for the crowd to get swept along with them. Talib Kweli was another high point (and the only artist I was previously aware of going into this showcase). He's just a ridiculously charismatic guy, and he had the audience in the palm of his hand for his entire set. A real showman. However, the absolute highlight of the evening (and perhaps the highlight of the entire festival) for me was Mistah F.A.B. He'd already won the crowd over with a very quirky and playful stage presence, but he then proceeded to show everyone why he's known as the "Freestyle King" in his native California. He asked the audience to hold up objects, anything that they happened to have on them, and using these objects as inspiration he began to freestyle at great speed for several minutes without missing a single beat. It was jaw-droppingly good. I'll admit that I was waving my camera in the air in rather a deranged fashion, but Mistah F.A.B. didn't spot it. It's a shame. I really wanted to add "Richard McBlane and his camera have inspired great rap lyrics" to my bio.
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Already I was beginning to suffer a bit from a lack of sleep, and my shoulders and back were killing me from having to lug heavy camera gear around everywhere (curse you, telephoto lens!). But that didn't matter, for today The Magnetic Fields were playing.
I've been a big, big fan of The Magnetic Fields for many years now, but this was the first time I was going to get to see them live, headlining the NPR Day Party at the Parish. The Magnetic Fields have never really achieved mainstream success, but they have a huge cult following, and I would say that they were a pretty big deal for SXSW. The massive line outside the venue only confirmed this.
This was the lineup:
It was certainly an eclectic mix of bands, and it made for an interesting show. The Magnetic Fields themselves were excellent. Visually, they weren't perhaps the most dynamic band I've ever shot (they eschewed the dramatic lighting that accompanied all of the previous bands, and frontman Stephen Merritt looks like he could be giving a lecture in most of my photos), but musically you'd be hard-pressed to find any complaints. Apparently there were even members of the audience moved to tears by the performance.
My assignment for tonight was the Austin Music Awards at the Austin Music Hall. But we'll get to that in a minute...
I was really excited about today because I got to see one of my new favorite bands, Light Asylum. I've been pretty much obsessed with these guys ever since I heard the song "A Certain Person."
I knew that Light Asylum was playing a bunch of shows during SXSW, but they were all at night when I would be on assignment elsewhere. I was resigned to the fact that I probably wasn't going to see them, and this made me very, very sad. The previous day, I had actually met the photographer who was assigned to one of their shows. He was a lovely chap, but that didn't stop me from cursing his name repeatedly within mere minutes of meeting him. However, it appeared that fate (overlooking my childish, jealous temper tantrums) was smiling upon me. I discovered that Light Asylum were playing a free daytime show at Shangri-La, and all was right with the world again.
Being an outdoor, daytime slot, I think that certain visual elements of Light Asylum's regular live show were missing (lasers, smoke machines, etc.). Nonetheless, Shannon Funchess, their frontwoman, is amazing to watch, and I loved every minute of their set.
OK, on to the Austin Music Awards. Here was the lineup:
I was looking forward to this assignment for a number of reasons. Firstly, the Austin Music Hall is a big venue, and I had access to the photographers' pit in front of the stage. Most of my assignments for SXSW are in tiny venues, and whenever I'm in front of the stage I'm usually squashed right up against it with the rest of the audience. Having the freedom to move around is a very much appreciated luxury. Secondly, upon my arrival at the venue, I was told that none other than Bruce Springsteen would be making a special guest appearance! I can tell you without any shame or embarrassment, dear reader, that I almost peed my pants with excitement. I am a huge Springsteen fan (to a nearly incontinence-inducing degree, apparently), and here I was, resting my elbows on the very stage he would be performing on.
The night as a whole was fantastic. In between sets, a slew of awards would be given out. Another of my favorite recent discoveries, White Ghost Shivers, won the "Best None of the Above" award. These guys are Austin-based, and they've been around for years now, but they only came to my attention in the last month or so. They play 1920s / 1930s-style swing band music, and they're awesome. If you live in Austin or nearby, I urge you to check them out.
Sadly, they didn't perform, but there was some fine musical talent on display regardless. Bruce Springsteen's appearance was hinted at all night, and he finally showed up towards the end of Alejandro Escovedo's set, which up until that point had already seen an impressive number of guest stars. Springsteen walked on after a request was cheekily made for "one more guitar player," and the whole venue just erupted. He played four songs with the band, including a cover of the Rolling Stones' "Beast of Burden." I went home a happy man.
All of the musicians hailed from either Colombia or Mexico. Now I'll be the first to admit, I'm not hip to the Colombian or Mexican music scene in any way, but this is one of the reasons I love SXSW so much - it's easy to get exposed to music you wouldn't normally get exposed to. This was a fun night.
Last year, I was fortunate enough to be selected to be part of the SXSW photography crew as a music photographer. This year I've been selected again, the lucky bugger that I am.
SXSW started out as a small music festival for industry insiders. It was where bands would go to hopefully get discovered by record labels. Whenever I hear criticism aimed at SXSW, it's usually that it's an "industry event" and not really for music fans. While this may have been true at one point, I would argue that it's definitely not the case anymore. The atmosphere downtown is absolutely electric while the music festival is going on. Every bar and restaurant is packed to the rafters, there are street performers on every corner, and even if you don't have a wristband or badge you can catch a free show at any time of the day. You could have a fantastic time during SXSW without spending a single penny.
I got assigned to some really cool showcases last year and got some great shots, a few of which I've already included in my music gallery on this site. When I wasn't covering a performance, though, I'd wander around town for hours, soaking up the ambiance and snapping a few pictures here and there. I'd thought I'd share some of my favorites...
You may also notice the abundance of bubbles in one of these pictures. These are being produced by a bubble gun just outside the frame. I don't know about you, but when I was a young lad growing up in the 80s I would have killed for one of those. I had to make do with my tiny plastic stick and small bottle of bubble mixture like some kind of chump. Depending on the quality of said plastic stick, you weren't even guaranteed any bubbles at all. They either popped before becoming fully formed, or the mixture just dribbled pathetically on to your shoes. So while I had fun taking pictures at this party, I did perhaps spend too much time being jealous of the one year old birthday girl...
Shut up. I didn't say it had to be a particularly interesting fact.
But I digress. This weekend, I had the pleasure of shooting the very glamorous Sonia and her friends, who were all in town for Sonia's bachelorette party. I accompanied the ladies as they were chauffeured around Austin in a limo, stopping at various locations along the way. Photographically speaking, it was actually quite challenging. Since it was late at night, we were pretty much in constant darkness, which meant I had to use flash in almost every shot. This can get bothersome for some people very quickly. Kudos, then, to the girls for being absolute champs and taking it all in their stride. I met them again the following night to get some more shots before they went to dinner, and they were equally as gracious. Such an enjoyable shoot...
So here I am. Blogging away. Let's make my first post a good one...
This weekend our friends Aly and Dustin got married in San Antonio. While I wasn't their official wedding photographer, I was very kindly invited to get some shots of Aly and her bridal party getting ready before the ceremony. Let me tell you, I was in that hotel suite for hours, and there wasn't one single second where I wasn't having a blast. Aly's friends and family are incredible. Each and every one of them was clearly devoted to ensuring that her day went perfectly. Everybody was in high spirits and the atmosphere in the room was so relaxed. It made my job ridiculously easy. I got so many good shots and I'm just sorry that I can't include them all in this one post. Pay particular attention to the photos near the bottom of the page (I've included one from the wedding itself, just for fun). I'm sure you'll agree Aly is quite the stunner. Quite the stunner indeed.
Congratulations Aly and Dustin! Your wedding was awesome.